Thoughts on Taiwan Travelogue

I finished reading Lin King's translation of Yáng Shuāng-zǐ's Taiwan Travelogue this morning. I enjoyed the novel a lot, including its postmodern framing, where the English translation I read is supposed to be a translation of Yáng's Mandarin translation of Aoyama Chizuko's original novel, a novel that went through several Japanese, English, and Mandarin editions. (If memory serves me correctly!) 

I also enjoyed getting a picture of Taiwan--and particularly Taichung--during the period of Japanese colonialism. The descriptions of the Taichū Train Station and its environs, the markets, the streets and countryside were fascinating to me. King's translation also cleverly creates the point of view of the Japanese travel writer/novelist by using Japanese names for most of the cities and sites in Taiwan (which she often calls "the Southern Country" or "the Island" in contrast to "the Mainland," which refers to Japan). For example, Taichung's Lü Chuan River (or Lyu-Chuan Canal) is called the "Midori River." 

Lü Chuan River (Midori River) during the Japanese Period, from Wikimedia Commons

Much of the book is focused on discussions of food, particularly Taiwanese cuisine (Aoyama-san describes herself as having an always-hungry "monster" in her belly as the result of unfortunate events during her childhood). While there were a lot of dishes, snacks, beverages, etc., that I was familiar with, there were also quite a few that I don't recall ever trying or even hearing of, particularly because their names are written in romanized Taiwanese (though the Mandarin names are often added in footnotes). Reading this book made me hunger for Taiwanese food, both familiar and strange. 

Perhaps my unfamiliarity with the food mentioned in the book and with some of the places they visited should be a warning to me. Without giving away the plot of the novel, the ending made me question my own relationship to Taiwan and Taiwanese people, and what my role should be (if any) in representing Taiwan (and Taiwan's rhetoric) to others. Maybe it's not my place to speak but rather to continue to learn. 

Speaking of which, what should be my fifth book for 2025?

P.S. This interview with Lin King gives more information about the novel. And here is a more complete review of the book (spoilers!).

P.P.S. Next book on my reading list: Dominic Meng-Hsuan Yang's The Great Exodus from China: Trauma, Memory, and Identity in Modern Taiwan. 

P.P.P.S Here's another nice review of the book. I find myself hoping a movie version of this comes out one of these days...

Another new book in the former native speaker's library

Christina Yi, Andre Haag, and Catherine Ryu, eds. Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire, University of Hawai'i Press, 2023.

This book showed up out of the middle of nowhere. I saw that there was an interview with the editors on the New Books Network, but before listening to the interview, I ordered the book. (To be honest, I still haven't listened to the interview. But I'll get around to it sooner or later!)

In my somewhat foggy state of mind, I think I was attracted to the word "persuasion" in the title and the term "pan-Asian rhetoric" in the book's summary. Paging through the book, I was surprised to see a chapter on Li Xianglan (李香蘭), who is also known as Yamaguchi Yoshiko (山口 淑子) or Shirley Yamaguchi. Yamaguchi was someone I had forgotten that I had heard of before--the other day I stumbled onto her movie, China Nights (「支那の夜」), also known as Shanghai Nights (「上海之夜」) on YouTube. I ended up watching the whole movie even though it was 98% Japanese with no subtitles. (Needless to say, I didn't get a lot out of the dialogue.) The Wikipedia article about Li Xianglan (zh) reminded me that she had also played an Indigenous girl in a movie made in Taiwan called Sayon's Bell (「サヨンの鐘」). A 2011 post by Darryl Sterk from the anthropological blog Savage Minds introduces a recent "anti-aboriginal romance film" named Finding Sayun (【不一樣的月光：尋找沙韻】) that critiques the representation of Indigenous people in the original film.* 

Anyway, I'm looking forward to reading that chapter to find out more about Yamaguchi and Sayon's Bell, which I've also found a copy of on YouTube: 

I also found this 10-minute preview of Finding Sayun: 

* I think my title punctuation is a mess in this paragraph--apologies!

Three new books in the former native speaker's library

Not much to say about these yet because I'm still buried in reading student work, last semester's "sabbatical" a distant bittersweet memory...

• Memories of the Japanese Empire: Comparison of the Colonial and Decolonisation Experiences in Taiwan and Nan’yo-gunto, ed. Yuko Mio (2023)
  
  
• The Meiji Japanese Who Made Modern Taiwan, by Toshio Watanabe (trans. Robert D. Eldridge) (2023)
  
  
• Words Like Colored Glass: The Role Of The Press In Taiwan's Democratization Process, by Daniel K Berman (1992)

This last book is outdated, and the reviews I've seen (here and here) have been mixed at best, but I wanted it to see how the author deals with Taiwan's postwar history in the context of communication studies (though he is a political scientist).