Thursday, February 27, 2025

New Books Network interview with the authors of Revolutionary Taiwan

New Books Network has a great interview with Catherine Lila Chou and Mark Harrison about their book, Revolutionary Taiwan: Making Nationhood in a Changing World Order, which I wrote briefly about earlier.  (That's a lot links in one sentence!)

As a writing teacher, I really liked listening to their discussion early on about their writing process and how they viewed the kind of book they were trying to write. Harrison calls the style of the book that they were going for as "readable academic," where on the one hand they didn't want to write a dense academic monograph but on the other wanted to do justice to the complexity of Taiwan's histor(ies) and identit(ies). He says that that they "landed on" the idea of starting with events from contemporary Taiwan and interpret those events in terms of Taiwan's histor(ies) and culture(s). Chou compares the chapters and style of writing in terms of New Yorker essays that begin with specific stories that "bring the reader in" and then unpeel the "multiple layers" of meaning that make up those stories. She also talks about their limitations as academics that made it more challenging to them to write in this style. They also talked about how they collaborated on the book from a great distance (Chou was in Taiwan and Harrison was in Australia for most of the process, much of which took place during the Covid pandemic.) These are all interesting reflections that I'd like to point my students to when we talk about the writing process, envisioning your audience, collaborating as writers (particularly in online classes where students might not ever meet in person), and reflecting on writing, as well. 

The authors also bring up the image of Taiwan's "spectral presence," which (as I've said elsewhere, I think) is a concept that has come up a lot in my reading lately in relation to Taiwan. I mentioned the metaphor of "hauntings" that are prominent in two books I read recently, Anru Lee's Haunted Modernities and Kim Liao's Every Ghost Has a Name. Derek Sheridan also wrote an article a few years ago about "the spectre of American empire" in Taiwan. The idea that Taiwan itself has a "spectral presence," though, as a country/not-country (in terms of international recognition) that exists in almost a ghostly form outside of time and place is new and insightful to me. 

This blog also got a hat tip in the discussion (which, of course, is the real reason I'm talking about this interview!), citing a post of mine summarizing an article discussing Taiwanese cooking shows. (This reminds me--I haven't written any summaries of communications articles about Taiwan in quite a while!)

No comments: